Bundesweite Artist Labs & B.A.L.L. 2023
Since July, artists and art professionals have been conducting research in 64 Artist Labs on issues related to the public sphere of the liberal performing arts. At the second Bundesweites Artist Labor der Labore - B.A.L.L. for short - on October 20 and 21, 2023 at Kampnagel in Hamburg, joint research was taken to the next level: Lab participants met artists*, theatergoers* and experts* from all over the republic. Impulse lectures, practical workshops, in-depth talks on stage and in the stream, heated debates in thematic working groups, a show program every evening and party formats negotiated a wide range of issues: Who is watching? Who is participating? Who is (still) missing? Artistic works that reflect the role of the spectators round off the BA.L.L. program and opened up an echo chamber. With: Rimini Protokoll, raumlaborberlin, Simone Aughterloney, Queereeoké and many more.
B.A.L.L. 2023 Highlights
Impressions from the B.A.L.L. 2023
On Demand: Friday 20.10.2023
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Opening
After the speech "The Theater of Blanks" by Sivan Ben Yishai, Holger Bergmann and Amelie Deuflhard open the B.A.L.L..
The Labs committee and the curation team will provide insights into the Labs and the program of the two-day event.
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Publika, Performance und Politik - Neue Zugänge, neue Gemeinschaften?
Keynote speeches by Tucké Royale, Scottee, Katharina Warda followed by a Q&A moderated by Fabian Lettow and Mirjam Schmuck (kainkollektiv)
On Demand: Saturday, 21.10.2023 from K6
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Transformationen von Publika und Kulturlandschaft: Kulturpolitisches Labor
After an opening address by Jürgen Dusel (Federal Government Commissioner for Matters relating to People with Disabilities), cultural policy representatives from federal, state and local politics will discuss the current situation regarding audience development and funding opportunities in three panels.
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Class matters: Wie soziale Herkunft beeinflusst, wer ins Theater kommt
Panel with Rhiannon White (Head of Common Wealth), Nenad Čupić (coach, anti-racism and empowerment trainer) & Daniel Wetzel (Rimini Protokoll). Moderation: Vanessa Vu (journalist).
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Bühnenräume und ihre Publika im Wandel - Situationen, Thesen, Strategien
1. Panel with: Wagner Carvalho, Anna Wagner, Hendrik Frobel, Janina Benduski (moderation)
2. Panel with: Matthias Pees, Annemie Vanackere, Viola Hasselberg, Tobi Müller (moderation)
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Strategien und Positionen gegen rechte Backlashs
1. Part with: Enrico Casagrande & Daniela Nicoló (Motus), Gin Müller
2. Part with: Anica Happich, Steffen Klewar, Hamid Mohseni, Marietheres Jesse, Frauke Wetzel, Anne Schneider (moderation)
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Reflexion und Ausblick
Lecture by Asal Dardan and "Shield & Shine" campaign by DIE VIELEN
64 Bundesweite Artist Labs: Post-pandemic and audiences
As part of its evaluation NEUSTART-KULTUR- funding programs, the Fonds Darstellende Künste initiated a total of 64 Artist Labs this spring based on an open call process, which have been conducted throughout Germany between July 1, 2023 and October 31, 2023.In self-responsible, exchange-based lab formats, artists of all genres and disciplines addressed questions of audience acquisition and retention with reference to empirical values before, during and after the pandemic. This artistic evaluation discusseed an immensely broad range of topics, negotiating aspects of sustainability, diversity, mobility, and digitality as well as digging deep into specific target groups such as queer and BIPoC communities or genres such as performances for young audiences and theater in public spaces. How must political theater practice be aligned along current social issues? How can postcolonial perspectives be made accessible to children and young people? And what potential for dialogue do the performing arts offer in times of overall social fragmentation?
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© Dorothea Tuch
Overview
Which artists and groups have been commissioned by the Fund with nationwide Artist Labs? An overview of all Labs can be found here.
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© Dorothea Tuch
Documentation
What did the individual labs research? What were their questions and what are the results of their labs? The labs will be presenting themselves here shortly.
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© Dorothea Tuch
Magazin
Various cultural journalists have visited the nationwide Artist Labs and interviewed them about their strategies around the topic of audience. The articles are published in the magazine.
An event of the Fonds Darstellende Künste in cooperation with Kampnagel Hamburg and the 64 Nationwide Artist Labs. Supported by the Federal Government Commissioner for Culture and the Media within the framework of NEUSTART KULTUR.
Program: Julian Kamphausen, Uta Lambertz, Susanne Schuster | Set design: Philine Rinnert | Production management: krass & krasser - Franziska Bald, Ann-Kristin Meivers, Luca Sonnen | Technical direction: Andreas Harder | Editing: Elisabeth Wellershaus
Project management: Björn Frers, Steffen Klewar | Project coordination: Anna Kondring | Communication: Anne John, Carolin Meyer
B.A.L.L. Program curation
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Lucien Lambertz
Artistic Coordinator / Curator / Dramaturg / Partnerships | Hamburg
Lucien Lambertz
Artistic Coordinator / Curator / Dramaturg / Partnerships | HamburgLucien Lambertz (they/them), born 1983 in Unna, studied theater and media studies at the Ruhr University Bochum from 2003-2007. During his studies he worked for the Ruhrfestspiele Recklinghausen and Schauspiel Essen and worked as a musician and freelance dramaturge for various scenic projects. From 2008, they worked as an event manager and project manager for Zeppelin University Friedrichshafen, where they subsequently completed a Master's degree in Communication & Cultural Management from 2008 to 2010. Lucien Lambertz has been working at Kampnagel Hamburg since 2010. As Artistic Coordinator and Dramaturg, they are now primarily responsible for coordinating the season program and for the areas of queer performance, participation projects and cross-genre theater formats, with a focus on local-international collaborations; also for cooperation projects with scientific and foundation partners. They supervised the long-term EU project ACT-Art, Climate Transition and regularly various other national and international collaborations at Kampnagel.
Lucien Lambertz has worked as a coach, mentor and guest lecturer since 2010, including at the Hochschule für Musik und Theater/ Theaterakademie, University of Hamburg, University of Witten/Herdecke, Zeppelin University Friedrichshafen, Ruhr University Bochum and as part of the Claussen-Simon Foundation's stART.up scholarship program. He also regularly serves on juries in the field of performing arts.
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Julian Kamphausen
Künstlerische Leitung Prater Digital, Dramaturg, Regisseur | Hamburg, Berlin
© Performing Arts Programm / Dorothea TuchJulian Kamphausen
Künstlerische Leitung Prater Digital, Dramaturg, Regisseur | Hamburg, BerlinGeboren 1975, begann er 1994 in unterschiedlichen Funktionen hauptsächlich in den darstellenden Künsten zu arbeiten. Am Anfang hat er viel in Staats- und Stadttheatern gelernt und arbeitet seit 2003 selbständig als Autor, Kurator, Dramaturg und Regisseur. Hier hat er besonders viel Erfahrung als Regisseur von Galen und Charity-Veranstaltungen gesammelt, die wichtige Inhalte und große Unterhaltung miteinander präsentieren. 2013 hat er für das Performing Arts Programm Berlin (PAP) den Branchentreff der Freien Darstellenden Künste Berlin mitkonzipiert und zusammen mit anderen bis 2017 geleitet. Für das PAP konzipiert er auch weiterhin Fachtagungen, die spezifische Themen für ein professionelles Publikum vertiefen.
2016 hat er für das PAP zusammen mit der re:publica die Performersion gegründet, ein Format für Kooperationen der digitalen und der darstellenden Künste, das er seitdem auch mit einem inzwischen internationalen Fokus fortführt.
Die kuratorische Arbeit an der Schnittstille zwischen digitalen und analogen Künsten setzt er in Laborformaten für die Technologiestiftung Berlin u.a. oder als Mitglied des Culture Track Teams der re:publica um. Vermittelnd arbeitet er in diesem Spannungsfeld auch als Beiratsmitglied der bbw – University for Applied Sciences, des Berlinforums der Stiftung Zukunft Berlin, als Speaker oder Workshopgeber.
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Susanne Schuster
Dramaturge and curator, artistic co-director OutOfTheBox
© Anna Kristina BauerSusanne Schuster
Dramaturge and curator, artistic co-director OutOfTheBoxSusanne Schuster has been working as a dramaturge and curator in the independent performing arts since 2014. She studied "Dramaturgy" in Leipzig and "Staging the Arts and Media" in Hildesheim. She has been doing her doctorate there on the topic of "PerformingAlgorithm" since 2018. From 2017-2020, she co-directed the Hauptsache Frei festival in Hamburg with Julian Kamphausen. In 2022, she curated the Akademie Digital Lab #3 for the German Federal Cultural Foundation. Together with Ricardo Gehn, Susanne Schuster is artistic director of the media and performance group OutOfTheBox. OutOfTheBox develops speculative software and designs performative experiential spaces at the interface of theater, media art and game design.
Board to select the labs
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Benjamin Foerster-Baldenius
Architect, raumlaborberlin | Berlin
© Constanze FlammeBenjamin Foerster-Baldenius
Architect, raumlaborberlin | BerlinBenjamin Foerster-Baldenius studied architecture in Berlin and Copenhagen. He directed two theater groups and founded the "Institut für angewandte Baukunst" in Berlin in 1999. In addition, he has since been part of the collective raumlaborberlin and works on the culture of the city and public space. He is the founder of Floating University, whose association he has chaired since 2018 and for which raumlaborberlin received the Golden Lion at the 2021 Venice Archieturbiennale. He realized two theater buildings in Frankfurt in 2021. There he is professor for cohabitation at the Städelschule, Hochschule für Bildende Künste.
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Dan Thy Nguyen
Theater maker, director fluctoplasma festival, Studio Marshmallow | Hamburg
© Nico ScagliariniDan Thy Nguyen
Theater maker, director fluctoplasma festival, Studio Marshmallow | HamburgDan Thy Nguyen is a freelance theater director, actor, writer and singer in Hamburg. He has worked on various productions at Ballhaus Naunynstraße, Mousonturm Frankfurt, Kampnagel, MDR and the Deutsche Kammerphilharmonie Bremen, among others. In 2014 he developed and produced the play "Sonnenblumenhaus" about the pogrom of Rostock -Lichtenhagen, which won the "Hörnixe" in 2015 in its radio play version and is still played at various institutions. Since 2020, he has directed the Hamburg festival "fluctoplasma - 96h Kunst Diskurs Diversität" with his production company Studio Marshmallow and he is deputy board member of the LAG Kinder- und Jugendkultur Hamburg. In 2021, together with the entire ensemble, he received the German Radio Play Award for his acting performance. In 2022 he published, among other things, his first volume of poetry "Über Wasser und Tote" and co-curated the exhibition "Wer wir sind" at the Bundeskunsthalle Bonn in 2023.
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Mable Preach
Director | Hamburg
© Mable PreachMable Preach
Director | HamburgMable Preach has been present in the Hamburg art scene for many years - as a director or choreographer, as a curator and networker. She is the initiator of the festival for urban BIPoC youth culture FORMATION**NOW and director of the cultural and youth association Lukulule. Most recently, she showed her directorial work EMB*RACE YOUR CROWN** as part of the season opening at Kampnagel. In her work she critically engages with racism and (neo-)colonialism, promotes empowerment and produces alternative images and narratives to the white mainstream.
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Moritz von Rappard
Curator, director, dramaturg | Berlin
© Stiftung GenshagenMoritz von Rappard
Curator, director, dramaturg | BerlinMoritz von Rappard studied theater, film and television studies, German language and literature, and education at the University of Cologne. After working on a wide range of projects as a curator, director, and dramaturg, as well as gaining additional qualifications as a moderator and mediator, he has been increasingly involved with participation formats and opening up and participation in cultural institutions since 2015. Thus, within the framework of the competence network KIWit initiated by the Federal Commissioner for Culture and the Media, the g3 method for better working in heterogeneous groups was developed. In addition, he is co-founder of the consulting and development network "HANDS ON" and has been active in the Berlin-Brandenburg regional group of the Kulturpolitische Gesellschaft as a spokesperson since 2021.
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Laia Ribera Cañénguez
Freelance theater maker | Berlin
© Pablo HassmannLaia Ribera Cañénguez
Freelance theater maker | BerlinLaia RiCa, born in El Salvador, studied Physical Theatre in Barcelona and Theatre Pedagogy at the Berlin University of the Arts, where she is currently completing her PhD. Her work moves between documentary and object theater, between performance, physical and visual theatre, with a strong reference to visual arts. In 2015, Laia moved to Germany from Central America. In the "in-between-ness" of different languages, theater genres and geographies, she seeks a utopian space to bring together her own and structural opposites, paradoxes and contradictions. In doing so, she is primarily concerned with feminist, decolonial and queer perspectives. In recent years, together with KMZ Kollektiv, Laia has produced the multiple award-winning production "Kaffee mit Zucker?" (2021) and the play "FÜNF EXPONATE" (2023) staged and performed. The KMZ Kollektiv group develops its own visual, biographical and documentary aesthetics. www.laiarica.com
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Anne Schneider
freie Regisseurin, Konzepterin, Moderatorin | Berlin
© petite machineAnne Schneider
freie Regisseurin, Konzepterin, Moderatorin | BerlinAnne Schneider is a freelance director, conceptual designer and moderator. She is a founding member of the collectives MischPULK (Hamburg) and Kollektiv nachhaltige Kultur (Berlin). From 2017 to February 2021 she worked as the executive director of the Bundesverband Freie Darstellende Künste, and from 2014 to 2017 she was the artistic director of the festival Hauptsache Frei, after having directed the Kaltstart Festival in the years before.
In 2021, Anne Schneider conceived and moderated a participatory evaluation process on the funding structure for the independent performing arts in Munich on behalf of the Munich Department of Culture. Since 2021, she has also been working closely with Theaterwerkstatt Pilkentafel to create a digital archive of the venue. She has been and is a member of various juries and advisory boards, such as the advisory board of LOFFT Das Theater or the jury for the awarding of top funding in NRW.
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Felizitas Stilleke
Freelance dramaturg, curator | Berlin, Amsterdam
© Niklas VogtFelizitas Stilleke
Freelance dramaturg, curator | Berlin, AmsterdamFelizitas Stilleke is a freelance dramaturg, artist and curator. She directs conferences, such as the B.A.L.L. - Bundesweites Artist Labor of the Labore 2022, the Branchentreff 2019-2021, the Bundesforum 2017 or the RATSCHLAG DER VIELEN 2019, and takes over festival dramaturgies (Berliner Theatertreffen 2018, Impulse Theaterfestivals 2017 (under Florian Malzacher) or together with Johanna Yasirra Kluhs the theater festival FAVORITEN 2014) and is on the road as a production dramaturg in NRW, Berlin, Amsterdam and Zurich. She completed her Bachelor of German Studies/Education in Bochum and a Master in Cultural Poetics at the Wilhelms University in Münster. In 2018/19, she studied "Expanded Curation" as part of the international master's program at DAS theatre in Amsterdam. In 2020, she launched a series of podcast sessions at Ballhaus Ost titled "The Mother in Me is the Mother in You," in which she subjects the topic of not-yet/not-more/maybe/maternity to a collective rededication of discourse.
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Eva Stöhr
Project Manager GLOBAL VILLAGE KIDS
© Benjamin KriegEva Stöhr
Project Manager GLOBAL VILLAGE KIDSEva Stöhr, born and raised in Berlin, studied French, Music & Media and Applied Literature in Berlin and Bordeaux. From 2014 - 2022 she was dramaturg for young audiences at Theater an der Parkaue, Junges Staatstheater Berlin. There she curated festivals, labs and event series and was responsible for participatory formats with children and young people. As a dramaturg she worked with Regina Rossi, Romy Weyrauch & Marie Jordan, Leyla-Claire Rabih, cobratheater.cobra and andcompany & Co, among others. Most recently, she oversaw the focus on inclusive work and residencies by artists with disabilities. She is a founding member of the AG Junges Theater within the Dramaturgische Gesellschaft and was involved in the conception of the annual conference ,,Die Kunst der Begegnung" in June 2022 in Dresden. Since September 2022, she has been leading the new funding program for cultural education Global Village Kids within the framework of Kultur macht stark. Alliances for Education funded by the Federal Ministry of Education and Research.
Contact
eva.stoehr@fonds-daku.de
030 6293126-52
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Mateusz Szymanówka
Dance dramaturg Sophiensæle, artistic director Tanztage Berlin | Berlin
© Katarzyna SzugajewMateusz Szymanówka
Dance dramaturg Sophiensæle, artistic director Tanztage Berlin | BerlinMateusz Szymanówka is a dramaturg and curator currently working at Sophiensælen in Berlin, where he is responsible for the dance program and curation of Tanztage Berlin. He also co-curated program focuses and thematic festivals Queer Darlings 3 (2022), Queer Darlings 4 (2023) and Leisure & Pleasure (2023). From 2019 to 2020, together with Michał Grzegorzek, he developed the performative and discursive program To Be Real at the Center for Contemporary Art - Ujazdowski Castle in Warsaw, which explored the relationship between contemporary performance and club culture. From 2021 to 2022, he co-moderated with Kasia Wolinska the Work Culture working group within ZTB Berlin, which published the booklet “How To (Make) Dance in Berlin - a Toolbox for a Better Work Culture in the Independent Dance Scene”. He has also worked with and for institutions and initiatives such as Nowy Teatr, Teatr Studio and Pomada Queer Festival in Warsaw, Art Museum in Lodz, Art Stations Foundation in Poznan, HAU Hebbel am Ufer and Performing Arts Festival Berlin.
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Prof. Caspar Weimann
Professorship for Acting | Düsseldorf
© Kathi KraftProf. Caspar Weimann
Professorship for Acting | DüsseldorfCaspar Weimann (he*/they) holds a professorship and a mentorship for acting at the ADK Baden-Württemberg; is an initiating force of the free internet theater onlinetheater. live and the app "Loulu" (Amadeu Antonio Prize 2021, Heidelberger Stückemarkt 2022); conducts seminars and workshops on digital and hybrid theater strategies, on participatory theater on the net, and on the theatricality of social media; has an equal opportunity commission at the ADK Baden-Württemberg with a special focus on queer empowerment and is concerned with a change in the contemporary concept of acting.