Chemnitz: DIE KUNST, VIELE ZU BLEIBEN

Forum for Art, Freedom and Democracy: Germany & Europe
The Fonds Darstellende Künste is continuing its national event series “Die Kunst, Viele zu bleiben – Bundesweite Foren für Kunst, Freiheit und Demokratie“ and will be a guest at the European Capital of Culture in 2025, Chemnitz – with controversial positions from the spheres of art and media and a cinematic journey between Weimar classicism, market and box seats.
# Lectures + Discussion
21. May 2025, 7:30 pm │Hartmann Fabrik
“Die Kunst, Viele zu bleiben“ [The Art of Staying Many] is particularly challenged when democracy – the togetherness of many – is threatened by autocratic powers. What role does art have at this historic moment? Can and should it propagate freedom and community spirit, heal existential wounds, develop positive visions of the future?
Do the arts actually get attention, when politics turns into a performance for an audience tired of transformation? When negotiations about war and peace are presented as "great television"? How can the performing arts in particular inspire democratic practice or participation for social cohesion?
With lectures by: Philipp Ruch (Zentrum für Politische Schönheit), Sasha Marianna Salzmann (dramaturgue), Simon Strauß (author, journalist).
Followed by a panel discussion, moderated by Natascha Freundel (rbb).
The discussion that will be moderated by Natascha Freundel with Philipp Ruch, Sasha Marianna Salzmann and Simon Strauß will be recorded and broadcast in the well-known format „Der zweite Gedanke“ on rbb and also published as a podcast.
Hartmann Fabrik, Fabrikstraße 11, 09111 Chemnitz
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Philipp Ruch
© Gene Glover
Philipp Ruch
Philipp Ruch is a philosopher and performance artist. Born in Dresden in 1981, he is the founder of the Center for Political Beauty. He describes himself as a moral hardliner and belongs to the generation of directors who, after Schlingensief, see theater as an artistic form and no longer as an institution. Ruch studied the history of political ideas and completed his doctorate in the history of ancient violence (“Ehre und Rache. Eine Gefühlsgeschichte des antiken Rechts”) with distinction.
In 2015, he published “Wenn nicht wir, wer dann?”, which questions the discursive dominance of scientific interpretation and identifies a series of “toxic ideas” that make any humane self-examination of humanity impossible. In the fall of 2019, “Schluss mit der Geduld” was published on the relationship between imagination and humanity and the end of domestic appeasement policies (“Mit Rechten reden”).
In 2019, the Federal Ministry of the Interior issued an appearance ban against Ruch because, according to a BMI spokesperson, he divides society - mind you, with humanist radicalism. The far-right “Hannibal” network, which has remained unpunished to this day, has him on its death list for “Day X” (“Franco A.”). The state investigated him for 16 months for “forming a criminal organization” (the “criminal organization” meant the ZPS).
His works revolve around the experience of violence and the power of history and fiction. The processing of the shocking experience of the West's inability to act in the face of renewed genocide runs through his entire oeuvre. Numerous productions: GORKI Theater, Münchner Kammerspiele, Theater Neumarkt, Wienwoche, Berlin Biennale, Schauspiel Dortmund, Steirischer Herbst, NGBK. -
Sasha Marianna Salzmann
© Benedetta Senin
Sasha Marianna Salzmann
Sasha Marianna Salzmann is a playwright and novelist, essayist and curator and was co-founder of the culture and society magazine freitext. Salzmann's theater works have received numerous awards and have been translated into over 20 languages. Salzmann was in-house playwright at the Maxim Gorki Theater Berlin and artistic director of the theater stage Studio Я. Salzmann's debut “Außer sich” was published by Suhrkamp Verlag in 2017. The novel received numerous awards, including international ones. In 2021, the second novel “Im Menschen muss alles herrlich sein” was published, which, like the debut, was nominated for the German Book Prize and was honored with the Prize of the Houses of Literature and the Hermann Hesse Literature Prize. In 2024, Suhrkamp also published the volume “Gleichzeit”, a correspondence between Ofer Waldman and Sasha Marianna Salzmann about the world after October 7, 2023. In 2024, Sasha Salzmann is the winner of the renowned Kleist Prize, which honors the literary oeuvre as a whole.
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Simon Strauß
© Julia Zimmermann
Simon Strauß
Simon Strauß, geboren 1988 in Berlin, studierte Altertumswissenschaften und Geschichte in Basel, Poitiers und Cambridge. Er ist Mitgründer des Vereins Arbeit an Europa e.V. und war Initiator des europäischen Zeitzeugenprojekts „European Archive of Voices“. 2017 promovierte er an der HU Berlin mit einer wissenschaftshistorischen Arbeit über Konzeptionen römischer Gesellschaft bei Theodor Mommsen und Matthias Gelzer. Als Redakteur im Feuilleton der Frankfurter Allgemeinen Zeitung ist Strauß für den Bereich Theater zuständig. Außerdem ist er regelmäßig als Moderator im „Podcast für Deutschland“ der FAZ zu hören.
2017 erschien Strauß’ literarisches Debut „Sieben Nächte“. Es folgten die Autofiktion „Römische Tage“ (2019) und die Novelle „Zu Zweit“ (2023). Mit seinem Band „Spielplanänderung“ hatte er 2022 namhafte Autoren dafür gewinnen können, vergessene Theaterstücke neu für die Bühne zu entdecken.
# Film
22. Mai 2025, 16:00 Uhr │Kino Metropol
In “Die Kunst, Viele zu bleiben“, the actors Tina Pfurr and Hauke Heumann take a cinematic journey through eight cities and collect strong voices from the spheres of art, politics and science between Dresden, Erfurt and Berlin. Between market and box seats, new housing developments and Weimar classicism, they search for what connects us in the arts in history, the present and future.
Film Screening, followed by a discussion with the director Felix Meyer-Christian
Kino Metropol, Zwickauer Str. 11, 09112 Chemnitz
Registration
Free admittance. Registration is requested:
Also in Chemitz...
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federal congress #4:Theater in the headwind. Courage for change
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Verantwortung übernehmen! #2 Strukturen für die Kunst
As part of the flausen+kongress 2025, the BFDK is organizing the exchange format “Taking Responsibility #2: Structures for the Arts” to discuss measures and strategies that contribute to the better structural development of the independent performing arts and promote sustainability, visibility and cooperation.
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European Capital of Culture 2025
In 2025, Chemnitz is the European Capital of Culture and, under the motto “C the Unseen”, invites you to discover the rich cultural and industrial heritage of the city and its 38 partner municipalities in Central Saxony, the Ore Mountains and the Zwickau region.
An event of the Fonds Darstellende Künste in cooperation with Kulturhauptstadt Europas Chemnitz 2025 gGmbH and radio3 of the rbb.