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GLOBAL VILLAGE PROJECTS

Ein Programm für Darstellende Künste in ländlichen Räumen

Mit GLOBAL VILLAGE PROJECTS werden im Sommer 2023 künstlerische Produktionsvorhaben in ländlichen Räumen befördert, die sich mit globalen Fragestellungen und deren lokalen Symptomen unter dem jeweiligen örtlichen Blick auseinandersetzen.

GLOBAL VILLAGE PROJECTS richtet sich gezielt an Akteur*innen der Freien Darstellenden Künste in ländlichen Räumen, die in konkreten künstlerischen Projekten insbesondere die Verbindung von globalen Themen wie z.B. Klima, Migration, Krieg und Trauma, Rechtsruck oder Digitalisierung mit örtlichen Erfahrungen und Gegebenheiten in den Blick nehmen.

Der ländliche und kleinstädtische Raum ist seit jeher auch Ort für künstlerische Experimente und überraschende Innovationen. Schon lange finden Freie Darstellende Künstler*innen hier ihr Publikum, nutzen und/oder kreieren besondere Frei- und Zwischenräume vor Ort und tragen so zu einer vielfältigen, differenzierten Theaterlandschaft in der Bundesrepublik Deutschland bei.

Was wird gefördert?

Das Programm GLOBAL VILLAGE PROJECTS des Fonds Darstellende Künste fördert künstlerische Produktionsvorhaben aus allen Bereichen der Freien Darstellenden Künste, die sich in ländlichen Räumen thematisch u.a. mit globalen Fragestellungen wie beispielsweise Klima, Migration, Krieg und Trauma, Rechtsruck oder Digitalisierung unter dem jeweiligen örtlichen Blick und ggf. den lokalen Symptomen auseinandersetzen.

Wer kann beantragen?

Antragsberechtigt sind künstlerische Einrichtungen, Ensembles oder Künstler*innen(-gruppen) aus ländlichen Räumen und Kleinstädten (bis 20.000 Einwohner*innen) sowie in besonderen Fällen bereits bestehende Kooperationszusammenschlüsse mit Künstler*innen aus ländlichen Räumen.

Wie viel kann beantragt werden?

Die Antragssumme beträgt mindestens 10.000 € und maximal 25.000 €.

Kofinanzierungen aus weiteren Mitteln in Höhe von mind. 25% der Antragssumme sind für das beantragte Vorhaben bereits zur Antragstellung nachzuweisen.

Antragstellung und Förderfristen

Die Antragstellung beim Fonds Darstellende Künste erfolgt ausschließlich online.

Antragsfrist(en):

Der mögliche Produktionszeitraum für bewilligte Vorhaben beginnt mit der positiven Förderzusage und endet am 30.09.2023. Vollständige Verwendungsnachweise sind bis zu zwei Monate nach Ende des jeweiligen Vorhabens, spätestens aber zum 15.10.2023 einzureichen.

Für alle weiteren Informationen lesen Sie bitte vor Antragstellung, bzw. auch vor einer telefonischen Beratung durch die Geschäftsstelle des Fonds Darstellende Künste, die Regularien. Weitere Hilfestellungen bieten die FAQs.

Formulare

Alle wichtigen Unterlagen stehen im Bereich Formulare zur Verfügung.

Jury

  • Dr. Angelika Eder

    Managing Director of the Stiftung Genshagen, Head of " Kunst- und Kulturvermittlung in Europa" | Genshagen

    Portrait of Angelika Eder © Stiftung Genshagen

    Dr. Angelika Eder

    Managing Director of the Stiftung Genshagen, Head of " Kunst- und Kulturvermittlung in Europa" | Genshagen

    Angelika Eder has been the managing director of the Stiftung Genshagen since 2017, where she heads the " Kunst- und Kulturvermittlung in Europa" ("Art and Cultural Education in Europe") department. From 2002 to 2017, she worked at the Goethe-Institut, first as an officer in the "Science and Current Affairs" department at the Munich headquarters, from 2005 to 2009 as the institute director in Krakow, from 2009 to 2013 as the head of program work with a regional specialist assignment at the Goethe-Institut Prague (Regional Institute for Central Eastern Europe), and then as the institute director in St. Petersburg until 2017. Prior to that, she was a research associate at the Research Centre for Contemporary History in Hamburg for six years and before that, in 1994-96, a DAAD Lecturer at the German Department of the University of Liverpool.

  • Andrea Maria Erl

    Artistic Director Theater Mummpitz/Festival panoptikum | Nuremberg

    Portrait of Andrea Maria Erl © Sarah Gruber

    Andrea Maria Erl

    Artistic Director Theater Mummpitz/Festival panoptikum | Nuremberg

    Since 1994 artistic director and director of the Theater Mummpitz in Nuremberg and since 2000 artistic director of the biennial European-Bavarian children's theater festival "panoptikum". In addition, continuously active in the field of cultural policy as well as in various national and international associations for the promotion of professional children's and youth theater. Among other things, she was a long-standing board member and deputy chairwoman of the German ASSITEJ e.V. until January 2022.

    Member of the Nuremberg Education Advisory Board, since 2009 responsible for the conceptualization , implementation and project management of the 1st Nuremberg Kulturrucksack.

    Since 2019/2020 responsible for the project development "Mummpitz macht Schule. Klasse."

    Since January 2022 artistic director of the three-year Jupiter project "Memories" in cooperation with CIE Gare centrale/Belgium, AdDK Regensburg and Theater Mummpitz.

    Since 2022 member of the board of trustees of the Fonds Darstellende Künste.

  • Maria Gebhardt

    Managing Director Landeszentrum Freies Theater Sachsen-Anhalt | Magdeburg

    Portrait of Maria Gebhardt © Ray Behringer

    Maria Gebhardt

    Managing Director Landeszentrum Freies Theater Sachsen-Anhalt | Magdeburg

    Maria Gebhardt, born in 1988 in Saxony-Anhalt, studied cultural studies and aesthetic practice in Hildesheim and Paris.

    Her professional biography was shaped by positions in the management of the independent production and performance venue Theaterhaus Hildesheim, as a project officer at the Federal Academy for Cultural Education in Wolfenbüttel, and since 2017 in the management of the interest group Landeszentrum Freies Theater Sachsen-Anhalt. Since 2019, Maria Gebhardt has been a member of the board of the Saxony-Anhalt Cultural Conference.

    Core topics of her work are the empowerment of independent artists through consulting, the participation in structural improvements of funding procedures and framework conditions of cultural funding as well as the initiation of measures to improve the visibility of the independent scene as a landscape. Her own artistic practice has always taken place backstage in the areas of dramaturgy, production, scenography and technology.

  • Carena Schlewitt

    Director HELLERAU – Europäisches Zentrum der Künste | Dresden

    Portrait of Carena Schlewitt © Stephan Floss

    Carena Schlewitt

    Director HELLERAU – Europäisches Zentrum der Künste | Dresden

    Carena Schlewitt was born in Leipzig in 1961. Since 2018, she has been the artistic director of HELLERAU - European Center for the Arts in Dresden.

    She was Director of Kaserne Basel from 2008-2018 and Artistic Director of the Basel International Theater Festival (since 2012). She studied theater at the Humboldt University in Berlin and worked at the Academy of Arts in East Berlin from 1985 to 1993. She worked as dramaturge, curator and deputy artistic director at various independent production houses (Podewil Berlin; FFT Düsseldorf; HAU Berlin) and at international festivals (Theater der Welt; HAU Berlin).

    The focal points of her work have included the transformation processes in East Germany, Eastern Europe and China and the development of theater in Poland, France and Italy as well as live art and performance art. She has served on various juries, including for the "Impulse" festival; for the German-Polish expert panel of the Kulturstiftung des Bundes as well as for the "Doppelpass" program of the Kulturstiftung des Bundes; she was a member of the expert commission of the Swiss cultural foundation Pro Helvetia.

    Carena Schlewitt is a member of the Saxon Academy of Arts, the Saxon Cultural Senate and a member of the Expert Advisory Board for Performing Arts and Music at the Cultural Foundation of the Free State of Saxony.

  • Jennifer Tharr

    Spokeswoman on Cultural Policy of the Bundesverband Soziokultur | Berlin

    Portrait of Jennifer Tharr © Manuel Frauendorf

    Jennifer Tharr

    Spokeswoman on Cultural Policy of the Bundesverband Soziokultur | Berlin

    Jennifer Tharr studied theater studies and modern German literature in Berlin. While still a student, she began working as an editor at the theater publishing house Hofmann-Paul and as a theater mediator at the Volkshochschule Friedrichhain-Kreuzberg. Since 2015, she has been employed at the Bundesverband Soziokultur, where she led the Greek-German project "START - Create Cultural Change" on the German side for five years, as well as the NEUSTART Sofortprogramm, the pilot for NEUSTART KULTUR. Currently, she is the spokesperson for cultural policy at the Bundesverband Soziokultur. She also represents the association on the board of the European Network of Cultural Centers. Since 2021, Jennifer Tharr has also been a jury member for the Hamburg City District Culture Award.

  • Stephan Wunsch

    Puppenspieler, Figurenbildner, Regisseur, Ko-Leiter das Theaters Rosenfisch | Aachen

    Portrait of Stephan Wunsch © Vera Wunsch

    Stephan Wunsch

    Puppenspieler, Figurenbildner, Regisseur, Ko-Leiter das Theaters Rosenfisch | Aachen

    Stephan Wunsch ist Puppenspieler, Figurenbildner und Regisseur. Er studierte Philosophie und Germanistik in Aachen und belegte Seminare in Figurenspiel und Figurenbau auf Hof Lebherz. 2003 gründete er die Bühne theater rosenfisch. Seitdem produziert er zahlreiche Inszenierungen für Kinder und Erwachsene; außerdem Regiearbeiten, Figurenbau und Bühnenmusik für andere Bühnen.

    Neben dieser Tätigkeit ist er Teil der Redaktion von ‚Das andere Theater‘, die offizielle Zeitschrift des UNIMA-Zentrums der Bundesrepublik Deutschland e.V., die zwei Mal jährlich erscheint.

  • Jonas Zipf

    Managing Director Kampnagel Internationale Kulturfabrik GmbH | Hamburg

    Portrait of Jonas Zopf © Tina Peißker

    Jonas Zipf

    Managing Director Kampnagel Internationale Kulturfabrik GmbH | Hamburg

    Born in Odenwald in 1982, studied psychology in Berlin and Paris and speech and musical theater direction at the Theaterakademie "August Everding" in Munich. Doctorate (ongoing) "Culture, Operation and Resonance" with Hartmut Rosa and Friedrich von Borries, HfBK Hamburg. Scholarship holder of the Studienstiftung des deutschen Volkes, the Gabriele-Oehmisch-Stiftung and the Akademie Musiktheater Heute of the Deutsche Bank Foundation.

    As a freelance dramaturg, he has worked for a variety of productions in Germany and abroad (including Kampnagel, Schaubühne, Schauspielhaus Zürich, Theater Basel, Alfortville Paris). As founder, director and dramaturg he developed a number of site-specific productions with the independent group O-Team (including "HermannSchlachten" at the Stuttgart Wagenhallen, "Blaupause" in the former editorial building of the Süddeutsche Zeitung or "Kirschgärten" at the Hofgut Oberfeld Darmstadt) and most recently "Flüchtlinge" at the Thalia Theater Hamburg.

    From 2011 to 2013 he was head dramaturge/member of the artistic direction at Theaterhaus Jena and in the 2014/2015 season drama director at Staatstheater Darmstadt. He has worked as festival curator and dramaturge (Rodeo Festival Munich, Datterich Festival Darmstadt, Wiesbaden Biennale) and lecturer (LMU and HfMT Munich, HfMT Leipzig, TU Darmstadt, JGU and HfMT Frankfurt, JGU Mainz, EAH and FSU Jena). Zipf directed JenaKultur from 2016 to 2022. Since the 2022/23 season, he has been executive director at Kampnagel Hamburg.